Advent is a time of waiting and welcome. Waiting for the coming King, not only to celebrate his coming as a baby but for him to come again. Welcoming as we make room for him in our lives, a laughable thought for many as we juggle carol services, baking tasks, shopping for gifts… But some days we need snow days, like many in the UK have experienced, to make us slow down and ponder what this season is all about.
I am delighted to share another acrostic poem, following yesterday’s offering. This one is by another Amy, she a gifted storyteller and writer (Amy Robinson). You can view her wonderful poem that is a Christian take on the Santa story, inspired by the famous poem by Clement C. Moore, on her Facebook page – don’t miss it!
Here’s Amy’s acrostic poem as inspired by Mary’s song of praise to God, known as the Magnificat. Mary visits Elizabeth who is also pregnant, and when Elizabeth praises her for her great faith, Mary responds with her wonderful song. You can read the whole story in Luke 1.
My soul magnifies the Lord,
And my spirit rejoices in my saviour!
Generations will call me blessed,
Naming God as holy and mighty.
In strength he has scattered the proud,
Fed the hungry and left the rich empty.
Israel will see his mercy again.
Children of Israel, you know what he promised our fathers,
Abraham and his offspring for ever?
This is happening now.
Godspell, a villanelle, and forgiveness – I love the richness and variety of my guest writers. I hope you’re as intrigued as I was to read Amy Robinson’s post!
Have you ever seen the 1973 film version of Godspell – the one starring Victor Garber? It’s well worth a watch if you haven’t. The script uses sections of Matthew’s Gospel to frame a story in which Jesus and the disciples are a sort of Vaudeville acting troupe performing parables around New York. It surprises me every time I watch it, because from somewhere among the facepaints, rainbow clothing and rocking music, the sheer unexpected force of the words of Jesus leaps out and hit me sideways.
Photo courtesy of Everett Collection.
There’s a scene early on in the film when the new, excited troupe are acting the parable of the unforgiving servant. The master forgives his servant a huge debt, but the servant then goes on to refuse to forgive a much smaller debt, so the master orders him to be captured. The troupe performs the arrest and then, with great relish, they pretend to torture the servant. In the middle of their fun, Jesus says casually over his shoulder, “And so will my heavenly father repay you, if you do not forgive…” and they all look up at him aghast, the wind taken right out of their sails.
This challenge of forgiveness at the heart of Christianity is summed up in the two lines of the Lord’s Prayer: “Forgive us our trespasses, as we forgive those who trespass against us”. In the comma between those two lines is hidden a huge effort of will and grace as we make the leap between accepting forgiveness for ourselves and offering it to others.
The following poem is a villanelle, which is a strict form that takes two repeating, rhyming lines through the poem, only bringing them together as a couplet at the end. It seemed right for a meditation on these two lines from the Lord’s prayer, which are together in one breath and yet sometimes so far apart in my ability to pray and mean them.
Forgive me, Lord, my sins, and make me free.
But next, the hardest line of all to say:
“As I forgive the ones who once hurt me”.
My lips repeat the words reluctantly:
my heart rebels and struggles to obey.
Forgive me, Lord, my sins, and make me free,
and help me in your constant light to see
my foes, my friends, and all my yesterday
as I forgive the ones who once hurt me,
because their debt and mine, one endless fee,
was what you gave your perfect life to pay.
Forgive me, Lord, my sins, and make me free,
and by your grace and love hand me the key
that opens up this dungeon to the day
as I forgive the ones who once hurt me.
Oh Lord, who spoke those words upon the tree,
who while still hurting prayed, teach me to pray:
Forgive me, Lord, my sins; and make me free,
as I forgive, the ones who once hurt me.
Amy Robinson is a writer, performance storyteller and ventriloquist, and benefice children’s worker for four Suffolk church communities. She has published three books with Kevin Mayhew, writes scripts and resources for www.GenR8.org and blogs a bit at www.amystoryteller.com. She lives in a rectory with the rector, two children and lots of puppets. You can find her on Twitter at @Ameandme and at Facebook. Read her contribution to the “There’s No Place Like Home” series here.
Another installment in our “There’s No Place Like Home” series, and again I read with tears. Thank you to Amy Robinson, a friend I’ve met online who is a storyteller and writer – and like me, a vicar’s wife (whatever that means!). She bursts with joy and encouragement, and I’ve so enjoyed getting to know her. She contributed a wonderful story to Finding Myself in Britain about the eccentricities and quirks of Knole House, a stately country home near to her boarding school, but alas, the story met the cutting-room floor. Perhaps I could obtain her permission to share it in a deleted-scenes post – she has a wonderful way of transporting you to amazing places through her writing. Which is what she does here, as she invites you to take up your cutlery and join her for a taste of heaven.
Do you know what food they serve at the banquet in the kingdom of heaven? I do, because one night as a teenager, I dreamed I was there. It was one of those vivid and detailed dreams, and heaven was a cross between Narnia and the Royal Albert Hall, with a banqueting table curving around the length of every balcony. When you took your place, at once the food you most wanted to eat appeared, as if the dishes had read your mind.
What was on my plate? Oh, I do feel silly admitting it, but I’ve started now. It was carrots and apples grated together: fresh, sweet and juicy the way my mother makes it. The taste of childhood summers.
A favourite mountain in France.
Food connects us so instantly to memories and to people, and in a family’s language, meals can take on a symbolic meaning. When my family arrived from France to stay over Christmas, I made fish pie. I can’t quite get it just the same as Aunt Jane’s, even though I add hard boiled eggs and serve it with cloudy apple juice, but it still tastes of welcome: of the sight of Aunt Jane opening her front door and flinging her arms wide, and the warm smell of the pie that she always made ready for our arrival.
Aunt Jane standing rather perfectly outside her front door.
Of course, because it was Christmas, I also made Grandmama’s Dundee cake. Apparently I’m the only member of the family who can make it taste exactly like hers did, but this is not due to any secret recipe or deep spiritual connection. It’s because I inherited her cake tin.
A perfect slice of Dundee cake, made from Grandmama’s tin.
My childhood was rooted in several places at once, rather than one ‘home’ which kept changing. We used to say that we worked in London and lived in France, where we spent every available holiday, but they were both ‘home’. And then there was boarding school, where I made my first deep friendships and met my husband. And there was Grandmama’s flat in London and Aunt Jane’s house near the Malverns (still where I want to live one day). All ‘home’ in that I belonged there, and they made up such important parts of me.
At school sharing a midnight feast of Grandmama’s cake! Can you guess which one I am?
Isn’t it strange and wonderful that my children, who will not meet Aunt Jane or Grandmama this side of heaven, will still grow up with the tastes of their foods as part of their own sense of home, of welcome and belonging? They will add their own places and people and foods to pass on to their children too, but I wonder for how many generations the taste of fish pie might mean the first night at home?
A few days after welcoming my family with Aunt Jane’s pie, it was Christmas day and I was at the communion rail. As I stretched out my empty hands to receive, I reflected that we are all spiritual wanderers, longing for home, but here, being handed to me, was the heavenly equivalent of fish pie: the bread and wine, the food that represents welcome and belonging, the meal which Jesus gave to his followers to remember him by. A tiny taste of home.
An incredibly young me and Tiffer, our first Easter together at my family home in France.Aunt Jane with me as a baby (she never aged, did she?!)Grandmama.Family with Grandmama on her 90th birthday.
Amy Robinson is a writer, performance storyteller and ventriloquist, and benefice children’s worker for four Suffolk church communities. She has published three books with Kevin Mayhew, writes scripts and resources for www.GenR8.org and blogs a bit at www.amystoryteller.com. She lives in a rectory with the rector, two children and lots of puppets. You can find her on Twitter at @Ameandme and at Facebook.